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Jacqueline Kolditz, MA

Wissenschaftliche Mitarbeiterin Anglistische Literaturwissenschaft

  • 19th-Century Literature and Culture (especially Victorian literature)
  • Gender Studies
  • Gothic Literature
  • Renaissance Drama
  • Mobility Studies
  • Domesticity in Literature
Porträt Jacqueline Kolditz

2022-jetzt: Wissenschaftliche Mitarbeiterin und Doktorandin, Universität Vechta

2020-2022: Wissenschaftliche Hilfskraft, Rheinische Friedrich-Wilhelms-Universität Bonn

2017-2020: M.A. English Literatures and Cultures, Rheinische Friedrich-Wilhelms-Universität Bonn

2014-2015: Auslandsstudienjahr, University of Nottingham, UK

2013-2017: B.A. Anglistische Kulturwissenschaften und Germanistik, Otto-von-Guericke-Universität Magdeburg

 

Promotionsprojekt:
Walking Dangerously: Women and the Act of Walking in Nineteenth-Century Literature (Arbeitstitel)

“‘A Girl Does Not Go Alone in the World Unchallenged’: Exploring the Hazards and Liberating Aspects of Walking in H.G. Wells’ Ann Veronica.” New Perspectives on Walking Women in Anglophone Literatures and Cultures. Universität Hamburg, März 2025.

“‘The great city lay like a clasped book before her’: London, Walking and Writing in George Paston’s A Writer of Books.” Event 2024 – A Flightless Conference. Universität Konstanz, September 2024.

“Exploring London: Gender, Photography and Walking in Amy Levy’s The Romance of a Shop.” Victorian Popular Fiction Association 16th Conference: Places and Spaces in Victorian Popular Literature and Culture. Canterbury Christ Church University, July 2024.

“‘Can death part us? I would return to you from the grave’: The Return of the Abandoned Woman in Victorian Ghost Stories.” Victorian Darknesses. Universität Vechta, Februar 2024.

“‘I must walk; I must breathe the open air’: Walking to Escape the ‘modern craze for work’ in Ella Hepworth Dixon’s The Story of a Modern Woman.” From Queen Anne to Queen Victoria: Body, Mind and Spirituality. Universität Warschau, September 2023.

“‘look! there is my poor little girl out in the snow!’ – Wronged Women, Revenge, and Transparency in Elizabeth Gaskell’s ‘The Old Nurse’s Story’.” Fireside Tales of Terror: The Gothic and Winter. University of Warwick, Dezember 2022.

“Haunted India - Women and Ghosts in B. M. Croker’s short stories.” Gothic Interruptions: The 16th International Gothic Association Conference. Trinity College Dublin, Juli 2022.

“‘To have a look and a smile from lovely Mary Barton’ – Elizabeth Gaskell’s Mary Barton, Gender and Mobility Networks.” The Spatial 18th Century – Rethinking Urban Networks and Maps, 1650-1850. University of York and Tate Britain, November 2021.

“‘I have seen his ghost, madam, I have seen his ghost’ – Servants and the Gothic Home in Ann Radcliffe’s The Mysteries of Udolpho.” Elfte BGECS-Jahrestagung: Zuhause im 18. Jahrhundert. Rheinische Friedrich-Wilhelms-Universität Bonn, Oktober 2021.

“‘Well, your mama thinks you ought not to go beyond the park or garden without some discreet, matronly person like me to accompany you, and keep off all intruders’ – Walking in Anne Brontë’s Agnes Grey.” ‘I wished to tell the truth’: Anne Brontë at 201. The Brontë Society Conference, September 2021.

“‘She goes there to flirt with Mr Weston!’ – Walking in Anne Brontë’s Agnes Grey.” Anne Brontë at 200: Exploring her Literary Works and (After)Life. Rheinische Friedrich-Wilhelms-Universität Bonn, Januar 2020.

“Women and Education in Virginia Woolf’s Night and Day.” Virginia Woolf, Bloomsbury and Adaptations – Studentenkonferenz. Justus-Liebig-Universität Gießen, Juni 2019.